| NATALIA STACHON | |
| 1976 | Born in Kattowice, Poland |
| Lives and works in Berlin, Germany | |
| 2004 | Diplom/Freie Kunst/Hochschule für bildende Künste Hamburg, Germany |
| 2002–04 | Fine Art Studies/ Hochschule für Bildende Künste Hamburg, Germany |
| 2001/02 | Photography/ Hochschule für Gestaltung und Kunst Zurich, Switzerland |
| 1997–2002 | Visual Communication/ Hochschule für Bildende Künste Hamburg, Germany |
| 2021 | Fellowship, Stiftung Kunstfonds, Bonn |
| 2016 | Scholarship, Griffelkunst e.V., Hamburg, Germany |
| 2014 | Fellowship, Berliner Senat, Berlin, Germany |
| 2010 | EHF 2010 fellowship, Konrad Adenauer Stiftung Berlin, Germany |
| 2004 | DAAD – post-graduate Scholarship, Switzerland |
| SOLO SHOWS | |
| 2020 | Worddust everywhere, Kunstverein und Stiftung Springhornhof, Neuenkirchen, Germany |
| 2019 | A Plot Of Undiscovered Ground, Loock Galerie, Berlin, Germany |
| 2017 | Metal Time, KOENIG2 by_robbygreif, Vienna, Austria |
| 2016 | Patience Has A Quiet Outer, Konrad-Adenauer-Stiftung, Berlin, Germany |
| Natalia Stachon at Sapphire (by Daniel Liebeskind), Berlin, Germany | |
| 2015/2016 | Omitted Center, Loock Galerie, Berlin, Germany |
| 2014 | The History Of Aberrations, Undconsorten, Berlin, Germany |
| 2013 | The Problem Of The Calm, ŻAK I BRANICKA, Berlin, Germany |
| ABC – art berlin contemporary, presented by Loock Galerie and ŻAK I BRANICKA, Berlin | |
| 2012 | Awaiting Oblivion, Loock Galerie, Berlin, Germany |
| Baustelle/Schaustelle, Essen, Germany | |
| Art Cologne (New Positions – Galeria SCQ), Cologne, Germany | |
| Armory Show (Solo presentation – Loock Galerie), New York, USA | |
| 2011 | Area Load, Galeria SCQ, Santiago de Compostela, Spain |
| Masa Berlin hosted by mischen, RAJ, Berlin, Germany | |
| Kunstverein, Junge Kunst e.V., Wolfsburg, Germany | |
| 2010 | Matter Shifted, Haus Konstruktiv, Zurich, Switzerland |
| 2009 | All That Is Solid Melts Into Air, Loock Galerie, Berlin, Germany |
| 2008 | Vertigo, kjubh Kunstverein e.V., Cologne, Germany |
| 2008 | Lieber Noch Als Meinen Augen Trauen, Loock Galerie, Berlin, Germany |
| Entrez Lentement, Laurin, Zurich, Switzerland | |
| 2007 | Liste 07, Basel, Switzerland |
| 2006 | Styx, Laurin, Zurich, Switzerland |
| 2004 | Ost 10° 01’ 58’’ Nord 53° 34’ 08’’, Hochschule für Bildende Künste, Hamburg, Germany |
| 2003 | Souvenir (Soundscape: Sean Reed), Künstlerhaus Weidenallee, Hamburg, Germany |
| 2001 | Ausstellungsraum Taubenstrasse 13, Hamburg, Germany |
| GROUP SHOWS (SELECTION) | |
| 2021 | Daimler Art Collection, Art from a Hundred Years, Highlights of the Daimler Art Collection 1920 - 2020, Stuttgart |
| RESET. Museum. Collection. Future, Museum Haus Konstruktiv, Zurich | |
| 2020 | all over, Galerie Mathias Güntner, Hamburg |
| Me, myself and I, Christine König Galerie, Wien | |
| 31: Women. Exhibition Concept after Marcel Duchamp, 1943, Daimler Art Collection/Haus Huth, Berlin | |
| 2019 | How to fix a broken line, Kunstquartier Bethanien, Berlin |
| The act of thinking is an act of art, Galerie Mathias Güntner, Hamburg | |
| Modifikationen, Kunstquartier Bethanien, Berlin | |
| Vertikalwinkel, Schaufenster, Berlin | |
| You Are, Foundation Reinbeckhallen – Collection of Contemporary Art, Berlin, Germany | |
| Negative Space. Tranjectories Of Sculpture, ZKM – Center of Art and Media, Karlsruhe, Germany | |
| Intoto 7, Kunstverein am Rosa-Luxemburg-Platz, Berlin, Germany | |
| Von Der Süddeutschen Moderne Zur Internationalen Gegenwartskunst, Daimler Art Collection, Stuttgart, Germany | |
| 2017 | Natalia Stachon I Ulrich Wüst, art berlin fair 2017, Berlin, Germany |
| Alec Soth I Natalia Stachon I Ulrich Wüst, Loock Galerie, Topografien, Berlin, Germany | |
| Blickwechsel, Kunstraum Alexander Bürkle, Freiburg, Germany | |
| 2016 | Der Duchamp-Effekt. Readymade. Werke aus der Daimler Kunstsammlung, Kunsthalle Göppingen, Göppingen, Germany |
| Generationsübergreifend - Polnische Kunst, Skulpturenmuseum Glaskasten, Marl, Germany | |
| Unfolding Constellations, CSW, Center of Contemporary Art, Torun, Poland | |
| 2015 | Berlin Artists’ Statement, BWA, Contemporary Art Museum, Kattowitz, Poland |
| Einknicken Oder Kante Zeigen?, Kunstraum Alexander Bürkle, Freiburg, Germany | |
| The History Is A Warm Gun, n.b.k. Neuer Berliner Kunstverein, Berlin, Germany | |
| 2014 | Einknicken Oder Kante Zeigen?, Museum für konkrete Kunst, Ingolstadt, Germany |
| Blended Generations, Kö-Bogen/701 e.V., Düsseldorf, Germany | |
| Closer to Gaza. Benefit auction for medical aid, Kühlhaus Berlin, Berlin, Germany | |
| Redefining Modernity. Contemporary Artists From Los Angeles And Berlin, Art In Embassies/Residence of the Ambassador of the United States of America, Berlin, Germany | |
| 2013 | Spaces, Kunstraum Alexander Bürkle, Freiburg, Germany |
| Berlin Status 2, Künstlerhaus Bethanien, Berlin, Germany | |
| Conceptual Tendencies II, Daimler Contemporary, Berlin, Germany | |
| Novecento Mai Visto, Capolavori dalla Daimler Art Collection, Museo Santa Giulia, Brescia, Italy | |
| Nur Hier, Bundeskunsthalle, Bonn, Germany | |
| 2012 | Das Gleiche Noch Mal Anders, Andrae Kaufmann Galerie, Berlin, Germany |
| Wie Kommt Das Neue In Die Welt?, Haus am Waldsee, Berlin, Germany | |
| Rosarot und Spitze, Galerie Sima, Nuremberg, Germany | |
| 2011 | 863km, Scheublein Fine Art, Zurich, Switzerland |
| Coup De Coeur, Liste 16, (presented by Haus Konstruktiv, Zurich), Basel, Switzerland | |
| Show Room #1, Scheublein Fine Art, Zurich, Switzerland | |
| Minimal-Maximal, Haus Konstruktiv, Zurich, Switzerland | |
| Through The keyhole, Stadtmuseum Bruneck, Bruneck, Italy | |
| 2010 | Konrad Adenauer Stiftung, EHF 2010. Stipendiaten, Berlin |
| Ganz Konkret, Haus Konstruktiv, Zurich, Switzerland | |
| Ampersand, Daimler Contemporary, Berlin, Germany | |
| Once Upon A Time There Was A Story That Began, Galerie Marion Scharmann, Cologne, Germany | |
| No Soul For Sale II, Tate Modern, London, UK | |
| Forgotten Bar Project, Marzana, Berlin, Germany | |
| Perception, Galeria Leme, São Paulo, Brazil | |
| 2009 | Pinakothek der Moderne, Munich, Germany |
| Interior, Wohnmaschine, Berlin, Germany | |
| No Soul For Sale I, X-Initiative, New York, USA | |
| Broken Images, Liaison Controverse, Düsseldorf, Germany | |
| Minton’s Playhouse, Artnews Projects, Berlin, Germany | |
| 2008 | Weiss, Stiftung Starke, Berlin, Germany |
| 2007 | Ausstellung #1, Emyt, Berlin, Germany |
| Launch Of Port De Suisse, Villa Lautengarten, Basel, Switzerland | |
| 2006 | Blackpool, KX, Hamburg, Germany |
| I Don’t Believe In Mathematics, Laurin Galerie, Zurich, Germany | |
| 2005 | Kunsthaus, Hamburg, Germany |
| suburbia, Kunstverein Springhornhof, Neuenkirchen, Germany | |
| 2004 | Erst Kommt Das Fressen, Dann Kommt Die Moral, Galerie der Hochschule für Grafik und Buchkunst, Leipzig, Germany |
| Kunstlichtkongress, Galerie Walcheturm, Zurich, Switzerland | |
| Internationale Fotoausstellung, Hamburg, Germany | |
| 2003 | Harakiri Bay, Kunsthaus Hamburg, Hamburg, Germany |
| Feine Ware I-III, Kunstverein Harburger Bahnhof, Hamburg, Germany | |
| SPECIAL PROJECTS | |
| 2006 Natalia Stachon has established the non-profit project space NEXT VISIT in Berlin, Germany | |
| www.nextvisit.de | |
| 2021 | Next Visit #17, Berlin (with Hannes Ribarits) |
| 2019 | Next Visit #16, Berlin (with Adnan Softić) |
| 2018 | Next Visit #15, Berlin (with Ulrike Mohr) |
| 2017 | Next Visit invitated to: h4rt - hothouse for rough translations, München (with Stef Heidhues and Alexej Meschtschanow) |
| 2016 | Next Visit #14, Berlin (with Gwenneth Boelens) |
| 2015 | Next Visit #13, Berlin (with Michelle-Marie Letelier) |
| 2014 | Next Visit #12, Berlin (with Alexej Meschtschanow) |
| 2012 | Next Visit #11, Berlin (with Bram Braam) |
| 2011 | Next Visit #10, Berlin (with Ursula Nistrup & Tove Storch) |
| Next Visit #9, Berlin (with Douglas White) | |
| 2010 | Next Visit #8, Berlin (with Stef Heidhues) |
| Next Visit invited to: No Soul For Sale II, Tate Modern (curated by Cecilia Alemani, Massimiliano Gioni and Maurizio Cattelan), London, UK | |
| 2009 | Next Visit #7, Berlin (with Sven Johne) |
| Next Visit invoted to: No Soul For Sale, X-Initiative (curated by Cecilia Alemani), New York, USA | |
| Next Visit #6, Berlin (with Julia Horstmann and Nickel van Duijvenboden) | |
| 2008 | Next Visit #5, Berlin (with Zayne Armstrong and Olaf Habelmann) |
| Next Visit #4, Berlin (with Peggy Franck) | |
| 2007 | Next Visit #3, Berlin (with Stefan Burger) |
| Next Visit #2, Berlin (with Andrea Winkler) | |
| 2006 | Next Visit #1, Berlin (with Yves Mettler) |
| PUBLIC AND PRIVATE COLLECTIONS (SELECTION) | |
| Museum Haus Konstruktiv, Zurich, Switzerland | |
| Sammlung der Bundesrepublik Deutschland für zeitgenössische Kunst, Bonn, Germany | |
| Staatliche Museen Preußischer Kulturbesitz, Kupferstich-Kabinett, Berlin, Germany | |
| ZKM, Zentrum für Kunst und Medien, Karlsruhe, Germany | |
| Sammlung des n.b.k. Arthotek (Neuer Berliner Kunstverein), Berlin, Germany | |
| Daimler Kunstsammlung, Berlin/Stuttgart, Germany | |
| Ege Kunst- und Kulturstiftung, Freiburg, Germany | |
| Sammlung Goetz, Munich, Germany | |
| Konrad-Adenauer-Stiftung/Skulpturengarten der Villa La Collina, Cadenabbia, Italy | |
| Menil Collection, Houston TX, USA | |