| HOLLY ZAUSNER | |
| 1951 | Born in New Jersey, USA |
| Holly Zausner lives and works in New York, USA and Berlin, Germany | |
| SOLO SHOWS (SELECTION) | |
| 2022 | Psychostasia, Palazzo Michiel dal Brusa, Venice, Italy |
| 2016 | Holly Zausner, Moore College of Art and Design, Philadelphia, USA |
| 2015 | Unsettled Matter, Loock Galerie, Berlin, Germany |
| Unsettled Matter, Postmasters, New York, USA | |
| 2012 | A Small Criminal Enterprise, Postmasters, New York, USA |
| 2011 | Unseen, University of Tennessee, Knoxville, USA |
| 2010 | Re-Edit, Galerie Wohnmaschine, Berlin, Germany |
| 2008 | Film Drawings, Galerie Wohnmaschine, Berlin, Germany |
| 2007 | Unseen, Bode-Museum, Berlin Germany |
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| Unseen, Galerie Wohnmaschine, Berlin, Germany |
| 2005 | Second Breath, Neue Nationalgalerie, Berlin, Germany |
| Second Breath, Galerie Wohnmaschine, Berlin, Germany | |
| 2004 | The Beginning, Barbier-Mueller Museum, Barcelona, Spain |
| Neue Nationalgalerie, Berlin, Germany | |
| 2003 | The Beginning, Galerie Wohnmaschine, Berlin, Germany |
| The New Beginning, Kunstverein Goettingen im Kuenstlerhaus, Goettingen, Germany | |
| 2002 | G- Woman/G-Man, Württembergischer Kunstverein, Stuttgart, Germany |
| 2001 | G-Woman, Galerie Wohnmaschine, Berlin, Germany |
| 1999 | Galerie Wohnmaschine, Sculpture Statement Art Cologne, Cologne, Germany |
| 1998 | Caren Golden Fine Art, New York, USA |
| 1997 | More Lost Illusions, Galerie Wohnmaschine, Berlin, Germany |
| More Lost Illusions, Verein zur Förderung Künstlerischer Projekte | |
| mit gesellschaftlicher Relevanz e.V., Wiesbaden, Germany | |
| Lost Illusions, Gramercy International Contemporary Art Fair, New York, USA | |
| 1996 | Blue Angel, Galerie Wohnmaschine, Berlin, Germany |
| 1992 | Sculpture Center, New York, USA |
| GROUP SHOWS (SELECTION) | |
| 2015 | The Transportation Business, curated by Gregory Volk, Jane Lombard Gallery, New York, USA |
| 2013 | Coming Together: Surviving Sandy, curated by Phong Bui, Brooklyn, New York, USA |
| 2012 | Cinemania, The Herbert F. Johnson Museum of Art, Cornell University, New York, USA |
| Shelf Life, Berlin Collective, Berlin, Germany | |
| 2007 | Agitation And Repose, Tanya Bonakdar Gallery, New York, USA |
| 2005 | War, Millennium Museum, Beijing, China |
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| Skirting The Line: Conceptual Drawing, DePauw University, Greencastle, USA |
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| Realism Reversed, gallery Christian Dam, Copenhagen, Denmark, Oslo, Finland |
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| Loop 05, Barcelona, Spain |
| 2004 | Film Program, nGbK, Berlin, Germany |
| 2003 | Himmelschwer, Landesmuseum Joanneum, Graz, Austria and |
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| Brandts Klaedefabrik, Odense, Denmark |
| 2002 | Un Rapport D'oeil, Galerie Müller-Roth, Stuttgart, Germany |
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| Log-in/Locked out, Akademie der Künste/Academy of Arts, Berlin, Germany |
| 2001 | Horizont, Art Agents Gallery, Hamburg, Germany |
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| Once, Then Something, Sculpture Center, New York, USA |
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| Face Off, Art Cologne, Cologne, Germany |
| 2000 | Group Show, Galerie Hafemann, Wiesbaden, Germany |
| 1998 | Fashioned, White Box, New York, USA |
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| Brite Magic, Islip Art Museum, East Islip, New York, USA |
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| Shake, PS 122, New York, USA |
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| Ordinary/Extraordinary: Anne Agee, Aric Obrosey, and Holly Zausner, Johnson County Community College Gallery of Art, Overland Park, USA |
| 1997 | Strange Days, Caren Golden Fine Arts, New York, USA |
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| Canny, Art Projects International, New York, USA |
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| Projectroom, Galerie Margrit Gass, Basel, Switzerland |
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| Flex Color, curated by Raphael Rubinstein, Apex Art, New York, USA |
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| White Out, Workspace, New York, USA |
| 1995 | Ooze, Black And Heron Space, New York, USA |
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| Between This And That, 8th Floor Gallery, New York, USA |
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| Table Of Contents, 450 Broadway Gallery, New York, USA |
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| Body As Metaphor, Bard College, Annandale on Hudson, New York, USA |
| 1994 | Random Access, Ranmarine Gallery, Long Island City, New York, USA |
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| Reverence For Clay/Irreverence, Trans Hudson Gallery, Jersey City, New Jersey, USA |
| 1993 | Bodily, Penine Hart Gallery, New York, USA |
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| Suspended Figure II, Saint Peter’s Church, New York, USA |
| 1990 | Image, Object Abstracted, City University Graduate Center, New York, USA |
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| An Obscure Object To Desire, Marymount College Gallery, New York, USA |
| 1989 | Emerging Sculptors, Sculpture Center, New York, USA |
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| Two Person Show, The Gallery, New York, USA |
| 1987 | Group Exhibition, Bond Gallery, New York, USA |
| COLLECTIONS | |
| Neue Nationalgalerie, Berlin, Germany | |
| Centre national d’art et de culture Georges-Pompidou, Paris, France | |
| Neuer Berlin Kunstverein e.V., Berlin, Germany | |
| PERFORMANCES | |
| 2005 | Desktop War, Millennium Museum, Beijing, China |
| 2004 | Deutsches Historisches Museum, Berlin, Germany |
| 2003 | Landesmuseum Joanneum, Graz, Austria |
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| Brandts Klaedefabrik, Odensee, Denmark |
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| Goettinger Kunstverein, Goettingen, Germany |
| 2002 | G-Woman/G-Man, Württembergischer Kunstverein, Stuttgart, Germany |
| AWARDS | |
| 2006 | DAAD Film Grant, Berlin, Germany |
| 1997 | Verein zur Förderung künstlerischer Projekte mit gesellschaftlicher Relevanz e.V., Wiesbaden, Germany |
| 1993 | Artist’s Fellowship, New York Foundation for the Arts, Sculpture |
| BIBLIOGRAPHY | |
| 2012 | Rubinstein, Raphael. "In Conversation: Holly Zausner", Brooklyn Rail |
| 2008 | McElheny, Josiah, "Holly Zausner's Bodies", BOMB, Fall |
| 2004 | Rubinstein, Raphael, "Watching the Skies", Art in America, November |
| 2003 | Cardella, Avis, "ueber alles", British Vouge, December |
| Rubinstein, Raphael, "Plychrome Profusion, Selected Art Criticism: 1990-2002", Hard Press Editions | |
| 2002 | Schmid, Karlheinz, "Die neuen Aufsteigerinnen–", Kunstzeitung, January |
| "Die neuen Aufsteigerinnen", Kunstzeitung, January | |
| Charley Magazine, Charley 01 | |
| 2001 | Stiller, Veit, "Der rätselhafte Tanz der gelben Gummischlangenfrauen", Die Welt, November |
| Werneburg, Brigitte, "Eine endlose, niemals endgültige Form", Die Tageszeitung, October | |
| Jana, Reena, "Once Then Something", Time Out New York, April 19-26 | |
| Johnson, Ken, "Art in Review: Once Then Something", The New York Times, April 20 | |
| Levin, Kim, The Village Voice, April 17 | |
| Levin, Kim, The Village Voice, March 6 | |
| Russ, Sabine and Volk, Gregory, "Once, Then Something", New York Arts, March | |
| 1999 | Nikolova, Milena, "Reviews", Flash Art, November-December |
| Koplos, Janet, "Holly Zausner at Caren Golden", Art in America, September | |
| Muller, Katrina Bettina, "Das Wesen des Abwesenden", Der Tagespiegel, June 26 | |
| Henze, Nikola, "Klinische Suenden", Berliner Morgenpost, June 24 | |
| Bakke, Erik, "Studio Visit with Holly Zausner", NY ARTS, June | |
| 1998 | Levin, Kim, "Voice Choices", The Village Voice, November 25 |
| Muller, Mario M, "The Syntax of Media: Daniella Dooling at Anna Kustera Gallery" and | |
| Newhall, Edith, "Talent", New York Magazine, November 16 | |
| "Holly Zausner at Caren Golden Fine Art", Review, November 15 | |
| Johnson, Ken, "Holly Zausner", The New York Times, November 13 | |
| "Critic’s Picks: Shake", Time Out New York, June 18-25 | |
| Walz, Cara, "Beautiful Pop", Pitch Weekly, April 2-8 | |
| Thorson, Alice, "A Way Out of the Ordinary", The Kansas City Star, March 29 | |
| Goldman, Christopher, "Jewish artist part of modern art exhibit at JCCC through April | |
| 29", The Kansas City Jewish Chronicle, March 20 | |
| Johnson, Ken, "Art in Review: Strange Days", The New York Times, January 2 | |
| 1997 | Levin, Kim, "Strange Days – Voice Choice", The Village Voice, December 23 |
| Werneburg, Brigitte, "Klare sprachliche Unklarheit und andere Trübheiten", TAZ, October 11 | |
| Wünnenberg, Inge, "Dynamik des Früstücks", Frankfurter Allgemeine, July 21 | |
| Phillips, Christopher, "Berlin ’97: Surge to the Mitte", Art in America, January | |
| Fiedler, Tanja, "Holly Zausner", Ticket, Number 42 | |
| Fiedler, Tanja, "Pretty in Pink: Holly Zausner's schöne neue Welt aus Gips", Ticket, Number 41 | |
| 1996 | Muller, Katrin Bettina, "Neues aus Berliner Galerien", Tip, June 27 |
| Ebeling, Knut, Berliner Zeitung, June 12 | |
| 1995 | Watkins, Eileen, "Reviews", Newark Star Ledger, September 3 |
| Raynor, Vivien, "Diverse Visions, Common Ground", The New York Times, July 30 | |
| 1994 | Melrod, George, "New York Reviews", Sculpture, January/February |
| 1993 | Watkins, Eileen, "Reviews", Newark Star Ledger, December 5 |
| Zimmer, William, "Sculpture at Two Displays in Wayne", The New York Times, December 5 | |
| Raven, Arlene, "Days With Art", The Village Voice, October 5 | |
| Melrod, George, "New York Reviews", Sculpture, July/August | |
| CATALOGS | |
| 2007 | Stemmrich, Gregor. "unseen". Berlin, Germany, Bode-Museum |
| 2005 | Johnson, Kaytie. Skirting the Line: Conceptual Drawing. Greencastle, IN, DePauw University |
| Petersen, Helen. Reversed Realism. Copenhagen, Denmark, Christian Dam Gallery | |
| 2001 | Christofori, Ralf. Blending Opposites. Berlin, Germany, Galerie Wohnmaschine |
| Schwabsky, Berry. About Plasticity. Berlin, Germany, Galerie Wohnmaschine | |
| 1998 | Arning, Bill. Ordinary/Extraordinary: Anne Agee, Aric Obrosey, Holly Zausner. Overland Park, |
| KS: Johnson County Community College Gallery of Art | |
| 1997 | Rubinstein, Raphael. Flex Color. New York, NY, Apex Art |
| Schwabsky, Barry. White Out. New York, NY, The Workspace | |
| 1996 | Rubinstein, Raphael. Holly Zausner. Berlin, Germany, Galerie Wohnmaschine |
| 1993 | Princenthal, Nancy. Idio Cognito. New York, NY, Police Building |
| 1992 | Weld, Allison. Holly Zausner. New York, NY, Sculpture Center |
| 1990 | Griffiths, Marian. Four Sculptors. New York, NY, Triplex Gallery, BMCC |
| Russ, Sabine, "Jesus died for somebody’s sins, but not mine", Berlin, Germany | |