| TAKEHITO KOGANEZAWA | |
| 1974 | Geboren in Tokio, Japan |
| Lebt und arbeitet in Hiroshima | |
| 2022 | Invited Artist IV, Universität Tübingen |
| 2018 | Gewinner des Asian Art Award 2018 |
| 2008 | Scholarship Villa Aurora, Los Angeles, USA |
| Artists Residence Program, Kea, Griechenland | |
| 2005 | Stipendium Senatsverwaltung für Wissenschaft, Forschung und Kultur, Berlin |
| Gewinner des ars viva price | |
| 2002 | FA Studio Trust, Residency Program London, England |
| 2001 | Stipendium Japanese Department of Art and Culture |
| 1999 | Stipendium Pola-Foundation |
| 1998 | Abschluss an der Musashino Art University, Tokio, Japan |
| EINZELAUSSTELLUNGEN (AUSWAHL) | |
| 2025 | Eins auf Zwei, Zwei aus Eins / One on Two, Two from One, Humboldt Forum, Berlin |
| Picnic on Paper, Loock Galerie, Berlin | |
| 2024 | Drawing/Cinema, The Museum of Modern Art Kamakura Annex, Japan |
| 2023 | Double Sisters, Divided Brothers, LOOCK Galerie, Berlin, Germany |
| Dual Doodle Double Square, Kotaro Nukaga Tennoz, Tokyo, Japan | |
| 2022 | ART ILLUMINATION, Shiroiya Hotel, Gunma, Japan |
| 2021 | NEON SPELL, MOUNTAIN CHORD, Gateau Festa Harada Gallery, Gunma, Japan |
| 2019 | Naked Theatre, Kanagawa Arts Theatre, Kanagawa, Japan |
| 2018 | Book Off/ Cut Off, Loock Galerie, Berlin |
| Three Monochromes, rin art association, Takasaki, Gunma, Japan | |
| 2017 | After The Heat, Haus am Waldsee - Bikini Berlin, Berlin |
| 2016 | Future Of Smoke, Spiral, Tokio, Japan |
| Paint It Black, Stadtgalerie Saarbrücken, Saarbrücken | |
| Why We Build, Loock Galerie, Berlin | |
| 2015 | Route For Food, undconsorten, Berlin |
| 2014 | Portraits And Planets, Position Art Fair, Berlin |
| Setting The Butterfly Free, Talion Gallery, Tokio | |
| 2013 | Video-Forum, n.b.k., Berlin |
| Über Den Wolken Schweben, Loock Galerie, Berlin | |
| 2012 | Paint It Black, And Erase, Christopher Grimes Gallery, Santa Monica, USA |
| Luftlinien, Haus am Waldsee, Berlin | |
| 2011 | Langen Foundation, Neuss |
| 2010 | Shallowly Dance, EnBW Showroom, Berlin |
| 2009 | Loock Galerie, Berlin |
| Polyrythm, Kunstfenster im BDI, Haus der Deutschen Wirtschaft, Berlin | |
| Mimoc's Eye, Vol. 2 – Takehito Koganezawa, Mimoca, Marugame Genichiro-Inokuma, Japan | |
| Koganezawa, Haus Konstruktiv, Zürich, Schweiz | |
| 2008 | Kanagawa Prefectural Gallery, Yokohama, Japan, Katalog |
| Ephemeral Graffiti, Qbox gallery, Athen, Griechenland | |
| Undisciplined Waiting Room, Christopher Grimes Gallery, Santa Monica, USA | |
| 2007 | Walk On The Slippery Side, Wohnmaschine, Berlin |
| Supraficcions, Fundació „la Caixa“, Lleida, Spanien, Katalog | |
| Dominique Fiat Gallery, Paris, Frankreich | |
| 2006 | Drawings, Christopher Grimes Gallery, Santa Monica, USA |
| Forgetting Numbers, Hiromi Yoshii Gallery, Tokio, Japan | |
| 2005 | Dancing In Your Head, Christopher Grimes Gallery, Santa Monica, USA |
| Works On Paper, Wohnmaschine, Berlin | |
| Probably Something (Performance), Berlinische Galerie, Berlin | |
| Ssex Without Sex, Jetzt / Now, Berlinische Galerie, Berlin | |
| 2004 | Dancing In Your Head, Shiseido Gallery, Tokio, Japan, Katalog |
| Pencils, Papers, Desk And Chair, Hiromi Yoshii, Tokio, Japan | |
| Haunch of Venison, London, England | |
| 2003 | Dancing In Your Head, inova – Institute of Visual Arts University of Wisconsin, Milwaukee, USA |
| On The Way To The Peak Of Normal (with Carsten Nicolai), Permanent Collection Hamburger Kunsthalle, Hamburg | |
| Borromini Arte Contemporanea, Ozzano Monferrato, Italien | |
| Wohnmaschine, Berlin | |
| 2001 | Some Islands, Project Room, ARCO Madrid, Spanien |
| Wohnmaschine, Berlin | |
| 2000 | Vedanta Gallery, Chicago, USA |
| Rhodes + Mann, London, England | |
| 1999 | Wohnmaschine, Berlin |
| 1998 | Galerie Brutto Fonster, Malmö, Schweden |
| GRUPPENAUSSTELLUNGEN (AUSWAHL) | |
| 2023 | Recovery, MIMOCA, Kagawa, Japan |
| The View of Hanui, Asia Culture Center, Gwangju, Südkorea | |
| KOBE Re:Public, Public Art Project, Kobe, Japan | |
| 2022 | DOMANI: The Art of Tomorrow, National Art Center, Tokyo, Japan |
| Drawing in Motion, University of Tübingen, Tübingen, Germany | |
| Raum Der Zeichnung, PORT25 Raum für Gegenwartskunst, Mannheim, Deutschland | |
| N/World, MtK Contemporary Art, Kyoto, Japan | |
| ALTERNATIVE!, 3331 Arts Chiyoda, Tokyo, Japan | |
| 2021 | NCOUNTERS IN PARALLEL, ANB Tokyo, Japan |
| COMBINE!, CADAN Yurakucho, Tokyo, Japan | |
| 2020 | Living on the Eve, DOMANI plus Online 2020 website, virtual |
| 2019 | Sound on the 4th Floor, Daimler Contemporary, Berlin |
| From Here to Beyond, Onomichi City Museum, Japan | |
| 2018 | The Magic Lantern – A Short History Of Light And Shadow, Tokyo Photographic Art Museum, Tokio, Japan |
| Painters, Nakata Museum, Onomichi, Japan | |
| Asian Art Awards 2018 Finalists Exhibition, Terada art Complex, Tokio, Japan | |
| Collection Exhibition 3 Adventures In "Seeing", 21st Century Museum of Contemporary Art, Kanazawa, Japan | |
| 2017 | Collection Exhibition 1 Play, 21st Century Museum of Contemporary Art, Kanazawa, Japan |
| 2016 | The Echo, Art Project Takasaki |
| Domani Plis, Kyoto Art Center, Kyoto, Japan | |
| 2015 | Die Zeit Drängt, Neue Sächsische Galerie, Museum für zeitgenössische Kunst, Cemnitz |
| In Our Time-Art In Post-Industrial Japan, 21st Century Museum of Conteporary Art, Kanazawa (Ishikawa), Japan | |
| 2014 | Festival Of Future Nows, Neue Nationalgalerie, Berlin |
| Expanding Fashion, Art Tower Mito (Mito) | |
| 2013 | Still Em Movimento, Lição de Pintura, at Paço das Artes, Brasilien |
| Super 8, Museum of Modern Art, Rio de Janeiro, Brasilien | |
| Bilder Im Fluss, Kunstraum Alexander Buerkle, Freiburg | |
| 2012 | In Anderen Worten..., NGBK / Kunstraum Bethanien, Berlin |
| Berlin Zeichnet, Stadtgalerie Kiel, Kiel | |
| 2011 | Transatlantische Impulse, Akademie der Künste, Berlin |
| 2010 | Berlin Zeichnet, Kunsthalle Dominikanerkirche, Osnabrück |
| Arts And Cities, Aichi Triennale 2010, Nagoya, Japan | |
| Schnittstelle Druck, Museum der Bildenden Künste/Hochschule für Grafik und Buchkunst Leipzig, Leipzig | |
| Palais für Aktuelle Kunst, 10 Jahre PaK, Glückstadt | |
| Remote Vision. Loop Barcelona (2003-2009). A Personal View By Paul Young, Arts Santa Mònica, Barcelona, Spanien | |
| Perspectives Of Contemporary Drawing, Galeria Isabel Hurley, Málaga, Spanien | |
| Roppongi Crossing 2010: Can There Be Art? The Creative Potential Of A New Japan, Mori Art Museum, Tokio, Japan | |
| Biennale für Internationale Lichtkunst 2010, Unna | |
| 2009 | Remote Vision. The Best Of Loop: New Video Art From Europe And The Americans, Pacific Design Center, Los Angeles, USA |
| Asian Art Biennale, Taichung City, Taiwan | |
| Takehito Koganezawa und Robin Rhode, Isabelle Du Moulin und Niels Borch Jensen Galerie, Berlin | |
| Decrauzat, Koganezawa, De Crignis, Haus Konstruktiv, Zürich, Schweiz | |
| 2008 | Looky See: A Summer Show, Otis’ Ben Matz Gallery, Los Angeles, USA |
| When Lives Become Form: Dialogue With The Future- Brazil, Japan, Museu de Arte Moderna de São Paulo, São Paulo, Brasilien | |
| Speed, Speed! The Phenomenon Of Speed In Film, Stiftung Opelvillen, Rüsselsheim | |
| Journey To The End Of The Night, Green on Red Gallery, Dublin, Irland | |
| The Canvas Is The Screen, Caixa Forum Palma, Palma de Mallorca, Spanien | |
| Carte Blanche III. Gedichte Der Fakten, Galerie für Zeitgenössische Kunst, Leipzig | |
| 2007 | Itinerance, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spanien |
| Museum of Modern Art, New Delhi, Indien | |
| Moca, Out Of The Ordinary: New Video Art From Japan, Los Angeles, USA | |
| Neue Heimat: Berlin Contemporary, Berlinische Galerie, Berlin | |
| The Collectors’ Choice: Collection 2, Daelim Contemporary Art Museum, Seoul, Süd Korea | |
| Klang Im Bild, Stiftung Opelvillen, Rüsselsheim | |
| Dreaming, Faraway, Inman Gallery, Houston, Texas, USA | |
| 2006 | Echigo-Tsumari Art Triennial, Fukutake House, Echigo-Tsumari, Japan |
| Don Juan Alias Don Giovanni, Magazin 4, Bregenzer Kunstverein, Bregenz, Österreich | |
| Sabotage Of Reality, Batagianni Gallery, Athen, Griechenland | |
| Tokyo-Berlin / Berlin-Tokyo, Neue Nationalgalerie, Berlin, Katalog | |
| Anstoss Berlin, Haus am Waldsee, Berlin, Katalog | |
| Ars Viva 05/06 – Identity, Kunst Werke Berlin, Berlin | |
| Images, 19th Images Festival, Toronto, Kanada, Katalog | |
| Conversations With Art, On Art, Tokyo Opera City Art Gallery, DaimlerChrysler Art Collection, Tokio, Japan | |
| Une Oeuvre: Une Vidéo, Grasse, Frankreich | |
| Mima: Offsite-Animated Drawing, Middlesbrough Institute of Modern Art, Middlesbrough, England, Katalog | |
| Don Juan Alias Don Giovanni, Kunsthalle Wien, Wien, Österreich, Katalog | |
| Ars Viva 05/06- Identity, Extra City- Center for Conemporary Art, Antwerpen, Belgien | |
| 2005 | The Empire Of Sighs, Numark Gallery, Washington DC, USA |
| Ars Viva 05/06 – Identity, Kunsthalle Rostock, Rostock, Katalog | |
| Koganezawa/Kaltwasser, Kunstbank, Berlin | |
| Temporary Import, Art Forum, Berlin | |
| International Triennale Of Contemporary Art, Yokohama, Japan, Katalog | |
| Wenn Kein Blatt Sich Regt, Palais für aktuelle Kunst Glückstadt, Glückstadt, Katalog | |
| Views From Abroad (Zeitgenössische Kunst Aus Japan), Stadtgalerie Kiel, Kiel, Katalog | |
| 2004 | So Weit Japan, Kunstallianz Berlin, Berlin, Katalog |
| Ma, two-person show mit Yoshihiro Suda, Douglas Hyde Gallery, Dublin, Irland, Katalog | |
| Diaries And Dreams, Ursula Blickle Stiftung, Kraichtal-Unteröwisheim, Katalog | |
| Cremers Haufen. Alltag, Prozesse, Handlungen: Kunst Der 60er Jahre Und Heute, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster * | |
| Why Not Live For Art, Tokyo Opera City Art Gallery, Tokio, Japan | |
| Don’t Call It Performance, Centro Andaluz de Arte Contemporanéo, Sevilla, Spanien | |
| Interfacies, Multimedia Asteria, Trento, Italien | |
| Skulptur, Prekärer Realismus Zwischen Melancholie Und Komik , Kunsthalle Wien, Wien, Österreich | |
| Performance, Landesmuseum für Moderne Kunst, Photographie und Architektur, Berlinische Galerie, Berlin | |
| Prêts À Prêter 1 & 2, fracpaca, Marseille, Frankreich | |
| Art Scope, Daimler Chrysler Contemporary, Berlin | |
| 2003 | Sharjah Biennal, Sharjah, Vereinigte Arabische Emirate, Katalog |
| Photography, Video, Mixed Media, Galerie der Stadt Sindelfingen, Sindelfingen (Collection of Daimler Chrysler Contemporary, Berlin) | |
| Botschaftsraeume - Raum, Platz und Inszenierung, Hamburger Botschaft, Hamburg | |
| The Company We Keep, Inman Gallery, Houston, USA | |
| Z, Produzentengalerie, Hamburg | |
| Circuit City, Museum Ludwig, Videoscreening of NBK, Köln | |
| 2002 | Translated Acts, Museo de Arte Carillo Gil, Mexico City, Mexico |
| La Biennale de Montréal, Montréal, Kanada | |
| Manifesta 4, Frankfurt am Main | |
| Drawing On Space, FA Projects, London, England, Katalog | |
| Contaminados, Museo des Artes & Disenao Contemporaneo, Costa Rica | |
| Lines / Moving, Wohnmaschine, Berlin | |
| 2001 | 1Site2Places, Galerie der Stadt Sindelfingen, Sindelfingen |
| Odalisque, Mafuji Gallery, London, England | |
| Audible Imagery, Museum of Contemporary Photography, Chicago, USA | |
| Translated Acts, Queens Museum, New York, USA, Katalog | |
| Newmen, Kunst-Station Sankt Peter, Köln | |
| Berlin-London, ICA, London, England | |
| Secreciones, Jacob Karpio Gallery, San José, Costa Rica | |
| Translated Acts, Haus der Kulturen der Welt, Berlin, Katalog | |
| City Vision: City Clips, International Filmfestival Rotterdam, Rotterdam, Niederlande | |
| 2000 | Kibou No Hiakri, Sagacho 2000, Sagacho Exhibit Space, Tokio, Japan |
| Art auction of the Industrie- und Handelskammer Berlin, Dec. 10, 2001, Katalog | |
| Electric Dreams, billbord Leicester Square, London, England | |
| media_city seoul 2000, Seoul, Süd Korea | |
| Art Ponton 02, Hamburg | |
| Japan Medium Light, Montevideo, Amsterdam, Niederlande, Katalog | |
| Interim 2000 - Art, Time and the Discovery of Slowness, Schloss Plüschow, Plüschow | |
| Continental Shift, Ludwig Forum für Internationale Kunst, Aachen | |
| Wohnmaschine, with Eric Hattan and Beatrice Wrobel, Berlin | |
| 1999 | Tokyo Shock, Filmhaus, Köln |
| Akihabara TV, Akihabara, Tokio, Japan | |
| 1998 | Art Is Fun 9, Hara museeum ARC, Gunma, Japan |
| Über Bau, Wohnmaschine, Berlin | |
| 1997 | European Media Art Festival Osnabrück |
| The 33rd Artists Today, Yokohama Civic Art Gallery, Yokohama, Japan | |
| LIVE PERFORMANCES | |
| 2015 | Route For Food, unconsorten, Berlin |
| 2014 | Festival Of Future Nows, Neue Nationalgalerie, Berlin |
| 2013 | The Echo - Spreading the Light, Takehito Koganezawa mit Saori Hala, Japanisches Kulturinstitut Köln, Köln |
| Takehito Koganezawa mit TM Schneider, Loock Galerie, Berlin | |
| 2011 | Paper Plate Juggling, Langen Foundation, Neuss |
| 2005 | Probably Something, westlondon projects, London, England |
| Probably Something, Berlinische Galerie, Berlin | |
| 2004 | Blind Date, Deutsche Guggenheim, Berlin |
| Performance für die Eröffnung der Berlinischen Galerie, Berlin | |
| 2003 | Performance at Sharjah Biennale, Vereinigte Arabische Emirate |
| 2002 | Performance, Württembergischer Kunstverein, Stuttgart |
| 2001 | A Little Bit Of History Repeated, Kunstwerke Berlin, Live-Performance, Berlin, Katalog |
| SAMMLUNGEN (AUSWAHL) | |
| Art Gallery NSW, Sydney, Australien | |
| ALTANA Kulturstiffung, Bad Homburg | |
| Ege Kunst- und Kulturstiftung, Freiburg | |
| FRAC Sud, Marseille, Frankreich | |
| Galerie fur Zeitgenossische Kunst, Leipzig | |
| Hamburger Kunsthalle, Hamburg | |
| Haus Konstruktiv, Zürich, Schweiz | |
| Kunstraum Alexander Burkle, Freiburg | |
| Kupferstichkabinett, Berlin | |
| Mercedes-Benz Art Collection, Berlin | |
| Microsoft, New York, USA | |
| MoMA, New York, USA | |
| Mori Art Museum, Tokyo, Japan | |
| Museum of Contemporary Art Tokyo, Japan | |
| Neuer Beliner Kunstverein, Berlin | |
| 21st Century Museum of Contemporary Art, Kanazawa, Japan |