IVAN GRUBANOV | |
1976 | Geboren in Belgrad, Serbien |
Lebt und arbeitet in Belgrad | |
2008 | Casa de Velazquez, Madrid, Spanien |
2005–06 | Delfina Studio Programme, London, England |
2002–03 | Rijksakademie van Beeldenden Kunsten, Amsterdam, Niederlande |
1996–01 | Academy of Fine Arts, Belgrad, Jugoslawien |
EINZELAUSSTELLUNGEN (AUSWAHL) | |
2019 | The Return of the National, Loock Galerie, Berlin |
2017 | Painting The Nation, Kulturni Centar Beograda, Belgrad, Serbien |
2016 | Smoke Nation Screen, Ron Mandos Gallery, Amsterdam, Niederlande |
2015 | United Dead Nations, Serbian Pavilion at La Biennale di Venezia, the 56th International Art Exhibition, Venedig, Italien |
Behind The Smokescreen, Loock Galerie, Berlin | |
Ivan Grubanov, Stand von Loock Galerie, vienna contemporary, Wien, Österreich | |
2013 | Dead Flags, Loock Galerie, Berlin |
2012 | Current Pasts (mit Vangelis Vlahos, kuratiert von Daphne Vitali), National Museum of Contemporary Art, Athen, Griechenland |
Smokescreens, Loock Galerie, Berlin | |
2010 | Haunting Memory (associated project of the Architecture Trienale), MARZ Galeria, Lissabon, Portugal |
Seven Studies For A Memorial, Loock Galerie, Berlin | |
2009 | Center for Cultural Decontamination (solo presentation within the 50th October Salon), Belgrad, Serbien |
2008 | Evil Painter, Loock Galerie, Berlin |
Laboratorio 987, MUSAC - Museo de arte contemporaneo de Castilla y Leon (mit Angel Rubia), Leon, Spanien | |
2007 | Non–Institutional, Le Grand Café d´Arte Contemporain, Saint-Nazaire, Frankreich |
Gallery of the Cultural Center of Belgrade, Belgrad, Serbien | |
2006 | Nogueras Blanchard Gallery, Barcelona, Spanien |
2005 | Stroom Contemporary Art Center, Den Haag, Niederlande |
Visitor, Museum of Contemporary Art, Belgrad, Serbien-Montenegro | |
2004 | Study Of My Father, a Relation to the Origin, Ron Mandos Gallery, Rotterdam, Niederlande |
Visitor, Lawrence O´Hana Gallery, London, England | |
Cages, Expodium, Utrecht, Niederlande | |
2001 | Gallery of Contemporary Art, Pancevo, Serbien-Montenegro |
1999 | Zlatno Oko, Novi Sad, Serbien-Montenegro |
GRUPPENAUSSTELLUNGEN (AUSWAHL) | |
2019 | When the Present is History, DEPO/Tütün Deposu, Istanbul, Türkei |
2018 | The World on Paper, PalaisPopulaire, Berlin |
2015 | Constellation, Serbian Cultural Center, Paris, Frankreich |
Study For A Memorial, Outside Gallery Apolo, Pancevo, Serbien | |
Bonton: Dobro Odrzavanje I Lepo Ponasanje, Gallery of the Cultural Center of Belgrade, Belgrad, Serbien | |
New Horizons, Naval Heritage Collection, Porto Montenegro, Tivat, Montenegro | |
2014 | 16. Pancevo Biennale, Pancevo, Serbien |
Diez Años Después, MUSAC - Museo de arte contemporaneo de Castilla y Leon), Leon, Spanien | |
In Bocca al Lupo, Crepi Crepi, Cultural Center of Cyprus in Athens, Athen, Griechenland | |
Road To Europe/I Want To Speak About The War, Clovic Castle Gallery, Zagreb, Kroatien | |
Enacting Protest?, STUK Kunstencentrum, Leuven, Belgien | |
The Good Cause, Stroom Center for Contemporary Art, Den Haag, Niederlande | |
Squares, Francois Ghebaly Gallery, Los Angeles, USA | |
Celebrities, Loock Galerie, Berlin | |
2013 | Der Geist In Vakuum, 267 Quartiere für Zeitgenössische Kunst & Fotografie, Braunschweig |
Wir Überschreiten Den Rubikon, Ostrale´013, Dresden | |
Genesis, 9. Inspiracje Festival, Szczecin, Polen | |
We Are Everything For Each Other (kuratiert von Maja Ciric), Lanchester Gallery Projects, Coventry, England | |
Preslisavanja 10 (kuratiert von Sasa Janjic, Miroslav Karic, Slobodan Jovanovic), Remont Gallery, Belgrade, Serbien | |
2012 | Reality Bites (kuratiert von Eija Aarnio, Leevi Haapala, Saara Hacklin, Patrik Nyberg, Jonna Strandberg), Kiasma Museum of Contemporary Art, Helsinki, Finnland |
A Gathering (kuratiert von Maria Thalia and Olga Hatzidaki), Macedonian Museum of Contemporary Art, Thessaloniki, Griechenland | |
Referencing History, Green Art Gallery, Dubai, VAE | |
That Passes Between Us (kuratiert von Lala Rascic), Good Children Gallery, New Orleans, USA | |
Private View, Loock Galerie, Berlin | |
2011 | The Walls That Divide Us (kuratiert von Miguel Amado), Apex Art, New York, USA |
Donumenta 2011 - Serbien: Views/ Visions, Kunstforum Ostdeutsche Galerie, Regensburg | |
The 3rd International Festival of Contemporary Art of Algiers (FIAC) (kuratiert von Nadira Laggoune), Museum of Modern and Contemporary Art, Algiers, Algerien | |
History In Art (kuratiert von Maria Anna Potocka), MOCAK - Museum of Contemporary Art Krakow, Krakau, Polen | |
Selektionseffekte, Blainsouthern, Berlin | |
Thin Air, MARZ Galeria, Lissabon, Portugal | |
2010 | Drawing Documents (kuratiert von Anselm Franke), Kunsthal Extra City, Antwerpen, Belgien |
Politics Of Art (kuratiert von Anna Kafetsi), National Museum of Contemporary Art, Athen, Griechenland | |
Morality, Act 3, and the Moral of the Story is (kuratiert von Zoe Gray), Witte de With, Rotterdam, Niederlande | |
Morality, Act 3, and the Moral of the Story is (kuratiert von Zoe Gray), Apex Art, New York, USA | |
All That Is Solid Melts Into Air: The Sicoal at the Berardo Collection (kuratiert von Miguel Amado), Museu Colecção Berardo, Lissabon, Portugal | |
2009 | Where Everything Is Yet To Happen (kuratiert von Antonia Majaca, Ivana Bago, Anselm Franke), 2nd Spa Port Biennial, Banja Luka, Bosnien-Herzegowina |
The Matrix: An Unstable Reality, 28. Biennial of Graphic Arts, Ljubljana, Slowenien | |
Monument To Transformation, City Gallery Prague, Prag, Tschechische Republik | |
Courtisane Festival, Film, Video & Media Art, Arts Center Vooruit, Gent, Belgien | |
Los Puertas Abiertas, Casa de Velazquez, Madrid, Spanien | |
Solo Projects, ARCO, Madrid, Spanien | |
2008 | 3rd Bucharest Biennial of Young Artists (kuratiert von Ami Barak), Bukarest, Rumänien |
1st Spa Port Biennale, Banja Luka, Bosnien-Herzegovina | |
No Leftovers, Kunsthalle Bern, Bern, Schweiz | |
Signals In The Dark: Art In The Shadow Of War, Blackwood Gallery University of Toronto at Mississauga, Toronto, Kanada | |
Headlines & Footnotes, Henie Onstad Art Center, Oslo, Norwegen | |
Italy, Italien, Wlochy, ARCOS Contemporary Art Museum Sannio, Benevento, Italien | |
Between The Images, Iaspis, Stockholm, Schweden | |
Wasteland, Hattyúház Galéria, Pécs, Ungarn | |
Selective Knowledge, Institute for Contemporary Art and Thought, Athen, Griechenland | |
2007 | 10th International Istanbul Biennial, Istanbul, Türkei |
Heterotopias (kuratiert von Jan Erik Lundstorm), 1st Thessaloniki Biennale, Griechenland | |
Drawing Typologies (kuratiert von Roel Arkesteijn), Stedelijk Museum CS, Amsterdam, Niederlande | |
Ground Lost, Forum Stadtpark, Graz, Österreich | |
Alabama, Office Baroque, Antwerpen, Belgien | |
Every Wind That Blows, Smart Project Space, Amsterdam, Niederlande | |
Speakers, Aeroplastics Gallery, Amsterdam, Niederlande | |
2006 | 12th Pancevo Biennial, Pancevo, Serbien-Montenegro |
Histories (kuratiert von Sophie Legrandjacques), Le Grand Café, Saint-Nazaire, Frankreich | |
Common Destinations (kuratiert von Katherine Carl), Drawing Center, Selections Fall, New York, USA | |
Around The World In 80 Days (kuratiert von Margot Heller, Jens Hoffman, Kit Kammonds and Claire Fitzsimmons), South London Gallery, London, UK | |
Everyday Every Other Day, Blackwood Gallery, Mississauga, Kanada | |
Interrupted Histories, Moderna Galerija, Ljubljana, Slowenien | |
Villa Jelmini, Kunsthalle Bern, Bern, Schweiz | |
Sweet Taboos (kuratiert von Edi Muka), Apex Art, New York, USA | |
PSW AR, Pixels of Reality, Amsterdam, Niederlande | |
Affinity By Choice, KCB Belgrade, Belgrad, Serbien-Montenegro | |
2005 | Sweet Taboos, 2. Tirana Bienale, Tirana, Albanien |
MANIF D´ART, 3rd Biennial of Quebec, Quebec, Kanada | |
Information/Transformation, Extra City, Antwerpen, Belgien | |
Off-Key, Kunsthalle Bern, Bern, Schweiz | |
20/21, Press to Exit Project Space, Skopje, Mazedonien | |
20/21, Zvono Gallery, Belgrad, Serbien-Montenegro | |
Values, Espace Culturel Francois Mitterand, Perigueux, Frankreich | |
2004 | Untitled As Yet, The Yugoslav Biennial of Young Artists, Vrsac, Serbien-Montenegro |
Values, 11th Biennial of Visual Arts, Pancevo, Serbien-Montenegro | |
The World Is Fine, We Ourselves Unfortunately Somewhat Less, De Appel, Amsterdam, Niederlande | |
Coded Cultures, Freiraum, Museumsquartier, Wien, Österreich | |
Video Studio, Museum Beelden aan Zee, Scheveningen, Den Haag, Niederlande | |
ART Rotterdam, Smart Project Space Stand, Rotterdam, Niederlande | |
PREISE/STIPENDIEN | |
2005 | Delfina Studio Trust Award, London, England |
2002-03 | RABK / Dutch Ministry of Education, Culture and Science, Amsterdam, Niederlande |
2001 | Award of 31st Salon of Pancevo for video, Pancevo, Serbien-Montenegro |
2000 | Award of 30th October Salon for video artwork, Pancevo, Serbien-Montenegro |
1999 | Award for poster, World's Health Organization, Belgrad, Serbien-Montenegro |
1997 | Award for best drawing, Patagonija Magazine, Vrsac, Serbien-Montenegro |
PERFORMANCES | |
2006 | Affinity By Choice, Speech in front of the National Parliament Building, Belgrad, Serbien-Montenegro |
2003 | W139 (mit Paulina Olowska), Amsterdam, Niederlande |
2000 | Soldier's Tale (Performance in Stravinsky’s opera), Beton-Hala Theatre, Belgrad, Serbien-Montenegro |
FILM/VIDEO SCREENINGS | |
2004 | Neuro, Muffathalle, München |
VPRO Television, Smart Project Space selection, Niederlande | |
2001 | FLUX 01, Belgrad, Serbien-Montenegro |
ARTme, Academy of Fine Arts Gallery, Sarajevo, Bosnien-Herzegovina | |
Mikrokino Fest, SKC, Belgrad, Serbien-Montenegro | |
2000 | VideoGong Festival, Culture House Gorizia, Gorizia, Italien |
hEXPO, Kapelica Gallery, Ljubljana, Slowenien | |
ÖFFENTLICHE SAMMLUNGEN | |
MUSAC (Museu de Arte Contemporaneo de Castilla y Leon), Leon, Spanien | |
Collection Kunstmuseum Bern, Schweiz | |
Deutsche Bank Collection, London, England | |
MSUB (Collection of the Museum of Contemporary Art Belgrad), Belgrad, Serbien | |
Coleección Esencias, Barcelona, Spanien | |
Coleeción Vilardell, Mallorca, Spanien | |
Collection of the Gallery of Contemporary Art Pancevo, Pancevo, Serbien |